An in-depth and personal exploration of Scandinavian crime fiction as a way into Scandinavian culture at largeFor forty years, Wendy Lesser's primary source of information for three Scandinavian countries—Sweden, Norway, and Denmark—was mystery and crime novels, and the murders committed and solved in their pages. Having never visited the region, Lesser constructed a fictional Scandinavia of her own making, something between a map, a portrait, and a cultural history of a place that both exists and does not exist. Lesser's Scandinavia is disproportionately populated with police officers, but also with the stuff of everyday life, the likes of which are relayed in great detail in the novels she read: a fully realized world complete with its own traditions, customs, and, of course, people. Over the course of many years, Lesser's fictional Scandinavia grew more and more solidly visible to her, yet she never had a strong desire to visit...

In this unusual memoir of the life of the mind, the founding editor of The Threepenny Review reflects upon the choices she has made in pursuit of her vocation as a self-described "eighteenth-century man of letters." Wendy Lesser, one of our shrewdest cultural observers, describes how her education, her experiences, and the works of her favorite writers, artists, and performers have shaped and deepened her understanding of the world. She shows us how she has created an independent life as a writer, editor, and critic, free to follow her enthusiasms where they lead her. Whether her subject is Mark Morris's choreography, the delights of e-mail, the odd assortment of words that were born the same year she was, or the moral implications of giving to beggars (pondered by way of Charles Dickens and Henry James), Lesser's acute wisdom and elegant prose render a beguiling portrait of a remarkable mind at work. From the Trade Paperback edition.

The first biography of the iconic American architect that delves fully into his life and workBorn to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life.Perfectly complementing Nathaniel Kahn's award-winning documentary, My Architect, Wendy Lesser's You Say to Brick is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Eschewing the usual corporate skyscrapers, hotels, and condominiums, he focused on medical and educational research facilities, government centers, museums, libraries, parks, religious buildings, and other structures that would...

“Wendy Lesser’s extraordinary alertness, intelligence, and curiosity have made her one of America’s most significant cultural critics,” writes Stephen Greenblatt. In Why I Read, Lesser draws on a lifetime of pleasure reading and decades of editing one of the most distinguished literary magazines in the country, The Threepenny Review, to describe her love of literature. As Lesser writes in her prologue, “Reading can result in boredom or transcendence, rage or enthusiasm, depression or hilarity, empathy or contempt, depending on who you are and what the book is and how your life is shaping up at the moment you encounter it.”Here the reader will discover a definition of literature that is as broad as it is broad-minded. In addition to novels and stories, Lesser explores plays, poems, and essays along with mysteries, science fiction, and memoirs. As she examines these works from such perspectives as “Character and Plot,” “Novelty,” “Grandeur and Intimacy,” and “Authority,” Why I Read sparks an overwhelming desire to put aside quotidian tasks in favor of reading. Lesser’s passion for this pursuit resonates on every page, whether she is discussing the book as a physical object or a particular work’s influence. “Reading literature is a way of reaching back to something bigger and older and different,” she writes. “It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else’s past. This may be disheartening, but it can also be strangely consoling at times.”A book in the spirit of E. M. Forster’s Aspects of the Novel and Elizabeth Hardwick’s A View of My Own, Why I Read is iconoclastic, conversational, and full of insight. It will delight those who are already avid readers as well as neophytes in search of sheer literary fun.****